Gregory Allen, Piano and Chamber Music. Professor of Piano, University of Texas at Austin; Grand Prize winner, 1980 Arthur Rubinstein International Piano Master Competition in Tel Aviv; Second Prize, 1978 Queen Elisabeth Competition in Brussels; top honors in the Los Angeles Young Musicians Foundation, Washington International, and Gina Bachauer Competitions. Concert engagements include appearances with the New York, Los Angeles & Israel Philharmonics, the Brussels RTF and Jerusalem Radio Symphonies, and the orchestras of San Francisco, San Diego, Baltimore, Houston, Austin and San Antonio. He has collaborated with conductors including Rafael Kubelik, Zubin Mehta, Pierre Boulez, Sergiu Comissiona, Louis Lane, Garcia Navarro, Leon Fleisher, Lukas Foss, James Sedares, and David Atherton. He has appeared in recital at New York’s 92nd St. Y, Washington’s Kennedy Center, Chicago’s Orchestra Hall, Pasadena’s Ambassador Auditorium, and Brussels’ Palais des Beaux-Arts.
Mr. Allen holds degrees from the Oberlin Conservatory and the Peabody Institute; his principal teachers were John Perry, Jerome Lowenthal and Leon Fleisher. He is a founding member of the Chamber Soloists of Austin, a mixed ensemble which was chosen to appear at the Kennedy Center’s Texas Festival in 1991. The group has also toured South America as Artistic Ambassadors of the U.S. Information Agency.
HOMAGE TO ARTHUR RUBINSTEIN, Volume One: Works by Spanish and Latin-American Composers. MHS, 1987.
THE RUBINSTEIN DEDICATIONS, Volume Two: Paris in the ‘20s. MHS, 1991.
THE RUBINSTEIN DEDICATIONS, Volume Three: A Musical Portrait. MHS, 1991.
JOAQUIN RODRIGO: THE COMPLETE MUSIC FOR PIANO. (With Anton Nel, 2nd piano). Bridge Records, 1992.
David Yeomans, Festival Co-Director; Piano repertoire and coaching. Professor Emeritus of piano, Texas Woman’s University; faculty artist, Orfeo International Music Festival, Vipiteno, Italy. Dr. Yeomans has a national reputation as a soloist, accompanist, and chamber musician, having performed in recital at New York’s Town Hall and Carnegie Recital Hall, as well as across the US, Canada, Austria, Germany, Switzerland, Great Britain, and South Korea. In addition to numerous performances of the Czech piano literature, he presented a lecture recital on the piano music of Bedrich Smetana for the Texas Music Teachers Association convention in Houston, and a recital on the piano and vocal music of Zdenek Fibich for the European Piano Teachers Association in London. He has also written a chapter on Bartok’s “Romanian Christmas Carols” for Bartok Perspectives, published by Oxford University Press, and has presented papers at Bartok symposia in Virginia and California. Prior to his TWU appointment, he taught at Washington State University, the University of Texas at Austin, and SUNY, Fredonia.
Dr. Yeomans holds degrees from Oberlin Conservatory, the Juilliard School, and the University of Michigan, where he studied with Emil Danenberg, Irwin Freundlich, and Gyorgy Sandor. He has been master teacher certified from the MTNA since 1986 and has adjudicated numerous music competitions, including the finals of the Canadian National Music Competitions, the MTNA South Central Division Competition, and the San Diego Musical Merit Competition. He is a past member of the Van Cliburn Foundation Executive Board.
BARTOK FOR PIANO, Indiana University Press, 1987, 2000.
PIANO MUSIC OF THE CZECH ROMANTICS, Indiana University Press, 2006.
“Q”uincy Langman, Collaborative Pianist, is a Clear Creek Music Festival alumnus and graduate of the Houston Grand Opera’s 2017 Summer Young Artists Vocal Academy. He graduates from the University of Texas at Austin in May 2019 with degrees in piano from Professor Gregory Allen’s studio and also in computer science. During his study, he distinguished himself through his work with the Butler Opera Center, where he served as rehearsal pianist for operas including Sour Angelica, Die Zauberflöte, Adamo’s Little Women, La Bohème, and The Rape of Lucretia. Q has also served as Assistant Conductor for productions of The Rape of Lucretia, La Clemenza di Tito, The Telephone, and Trouble in Tahiti. Q’s orchestral conducting credits include two seasons as Lead Director of the UT Lab Orchestra and Guest Conductor for the University of Texas New Music Ensemble. With these groups he had directed a wide variety of works including the Overture to the Magic Flute, Stravinsky’sSeptet and Octet, Schubert’s Symphony No. 5, and Corigliano’s Mr. Tambourine Man. During the summer of 2018, he participated in the Conducting Symposium at Michigan State University. In April of 2019 he will produce a complete performance of Blaise Ferrandino’s 5-part Clear Creek Music Festival commission Scenes from the Oregon Trail at the University of Texas at Austin.
Award-winning Polish cellist Ignacy Gaydamovich is an active soloist, recitalist, teacher, chamber musician, researcher, and a recording artist enjoying performing from a historically informed perspective. His latest CD recorded with his father, Janusz, features unpublished cello works by Lukas Foss and cello works by Schumann and Schubert.
Dr. Gaydamovich regularly performs in Europe, Lebanon, Japan, and the United States and is a recipient of multiple awards from Austrian, American, and Polish institutions. In 2012 he gave the Albanian premiere of the Korngold Cello Concerto with the National Radio and TV Orchestra of Albania in Tirana. As an advocate for new music, he gave the American premiere of Cellotronicum for cello and computer by Michal Talma-Sutt, commissioned and premiered a solo work by Alexander Barsov and appeared on a crossover CD Cosmospir. He is a founding member of the Atlas Piano Trio and the principal cellist of the Boston Chamber Orchestra.
A passionate teacher and organizer, Dr. Gaydamovich has been a frequent guest at the Conservatory Music in the Mountains in Durango, Colorado. He presented masterclasses at the first middle-east orchestra program in Beirut, as well as at festivals in Japan, Poland, Lithuania, and at several American colleges and schools. He has served as a Visiting Assistant Professor at the Crane School of Music at SUNY Potsdam and was on the cello faculty at the Texas Christian University and Mount Holyoke College.
In addition to performance and pedagogical work Dr. Gaydamovich is the author of a dissertation about Alfred Schnittke’s Cello Sonata No. 1, and a cello method, Beyond the Octave, that expands upon the work of Janos Starker. Thanks to the Chabner Family Foundation, Gaydamovich is playing on a modern copy of an Amati “The King” 1566 cello made by Wojciech Topa and on gut strings with a variety of bows.
Dr. Blaise J. Ferrandino, Composition. Professor and Division Chair of Music Theory and Composition at Texas Christian University. Besides his work as a composer and theorist, he is an accomplished classical and jazz double bassist. Dr. Ferrandino holds degrees from Ithaca College, Syracuse University, and the Hartt School of Music. He is sought after as a composer, lecturer, and performer. His compositions include song cycles, orchestral pieces, a wide-ranging assortment of chamber music, an opera, and solo works for various instruments. His most recent published works are Song and a Dance for Double Bass and Piano commissioned by the International Society of Double Bassists as the compulsory piece for their 2011 competition and Crucible, commissioned for the TCU Trombone Summit quartet competition. His musical drama Retrieving the Spirit premiered in April of 2012, and his Symphony for Wind Ensemble premiered in the Spring of 2013. In addition to his teaching at the Clear Creek Music Festival, Dr. Ferrandino has composed several works for the Clear Creek Kids children’s chorus and for the combined forces of the Festival and Halfway musical community. In 2018 the Festival will premiere part IV of his Scenes from the Oregon Trail, “Fort Hayes to Flagstaff Hill,” bringing the work to the location of the present Oregon Trail Interpretive Center above Baker City, OR.
Sheila Allen, mezzo-soprano, is Festival Artistic Director and teaches voice, diction, and repertoire coaching. She is Professor Emerita, Texas Christian University School of Music. Dr. Allen appeared as recitalist and soloist in operatic, orchestral and chamber music repertoire across the United States in Germany, Switzerland, England, Italy, and Korea. A champion of contemporary music, she premiered Pulitzer Prize winning Stephen Albert’s To Wake the Dead in New York’s Alice Tully Hall and recorded it for CRI. An area of special interest is the repertoire for mezzo, viola, and piano ranging from composers of the Baroque period to the works of Czech contemporary composer Petr Eben. She has been on the international jury for the Canadian National Music Competitions and the San Diego Musical Merit Competition. She regularly adjudicates for the Metropolitan Opera Regional auditions, NATS, and MTNA. Before founding the Clear Creek Music Festival, she was a member of the artist faculty of the Schlern International Music Festival in Fie allo Sciliar, Italy and the Orfeo Festival in Vipiteno, Italy.
Dr. Allen holds degrees from Oberlin Conservatory and the Eastman School of Music, and studied in Stuttgart, Germany as a Fulbright Scholar, where she also performed with Helmut Rilling’s Gächinger Kantorei. A pupil of Helen Boatwright, Kammersängerin Lore Fischer, and Helen Hodam, she was a national finalist in both the Metropolitan Opera Auditions and the National Association of Teachers of Singing Artist Awards. Other honors include a summer as a Vocal Fellow at Tanglewood. Prior to joining the TCU faculty, where she chaired the Voice Division for 20 years, she taught at Washington State University, Pullman, and at the New York State University College, Fredonia. She is author of “German” in Diction for Singers, published by Pst…Inc.
Alban Berg “Im Zimmer” from Sieben frühe Lieder
Russian born soprano Ekaterina Lovanova will coach repertoire and Russian diction. She received her initial education in Samara and St. Petersburg, Russia and made her professional debut in Germany as the soprano soloist in Haydn`s Creation. She made her New York City debut in 2014 with an appearance at Martina Arroyo Foundation’s “Prelude to Performance” as Fiordiligi in Così fan tutte, and sang the role of White Lady in a preview for the world premiere of Adolphus Hailstork’s opera Robeson, with Trilogy Opera Company in Newark, NJ.
In 2017, she was the winner of the Beethoven Prize given to the most promising young singer of the season by the North Czech Philharmonic Orchestra, which led to her performances in the role of Tatiana in Tchaikovsky’s Eugene Onegin in Prague, Czech Republic in 2018. Her other complete operatic roles include Pamina in Die Zauberföte, Donna Elvira in Don Giovanni, Micaëla in Carmen, Concepcion in L’heure espagnole, and Mařenka in Prodaná nevěsta.
Ekaterina holds a MM in voice from TCU. She was the Southwest regional finalist in the 2009 Metropolitan Opera National Council Auditions and a winner of concerto competitions at TCU and at Temple University.
Tenor San-ky Kim pursued an active career in Europe following his debut with the Philadelphia Opera Company, performing in Helsinki, Biel, Bern, Amsterdam, Brussels, Ghent, Lisbon, and Prague before settling in Germany. At the Czech National Opera in Prague, San-ky essayed all of Mozart’s lyric tenor heros, as well as Italian Bel Canto roles of Rossini and Donizetti. He has performed more than 40 major tenor operatic roles throughout the world and maintains an active performance schedule with recitals of art song and performances of challenging modern works. During the 2015-16 academic year, San-ky was a Fulbright Scholar visiting professor at Vytautas Magnus University in Lithuania, where he performed and led Opera Workshops with acclaim. Lithuanian Art Song Anthology, a result of his Fulbright, includes his edition of selected works to the present day with annotations, translations, and IPA transcriptions. It was published by the Lithuanian Music Information Center in January of 2018.
San-ky holds a DMA from Temple University and has taught voice and opera at TCU since 2005. For four years he was a guest artist at the Orfeo International Music Festival in Vipiteno, Italy.
Dr. Alex Hayashi, Oboe, Chamber Music. Alex is newly appointed to the music faculty at Western Michigan University. Originally from Honolulu, Hawaii, Alex attended the University of Nevada, Las Vegas and earned his BM in Oboe Performance (2011). He went on to the University of Michigan, where he obtained his MM (2013) and his DMA (2016), both in oboe performance.
An avid teacher, Alex has instructed students ranging from beginner to advanced. Alex’s students have consistently placed into top chairs of the Michigan All-State Orchestra and Michigan Youth Symphony; earned Superior ratings in solo and ensemble festivals; and been accepted into summer programs including the Brevard Music Center High School Program, the University of Michigan MPulse Oboe Institute, and Blue Lake Fine Arts Camp. Additionally, many of his students have been accepted into competitive music programs, including the Eastman School of Music, University of Michigan, University of Texas – Austin, and University of Southern California. He has served as Assistant Instructor at the UM MPulse Oboe Institute and Clinician at Hawaii Youth Symphony Pacific Music Institute, working with middle and high school students.
As a performer, Alex is well-versed in large ensembles, chamber music, and solo venues on both oboe and English horn. He has performed with US orchestras including the Detroit Symphony Orchestra, the Las Vegas Philharmonic, and the Ann Arbor Symphony Orchestra. Alex also has international performance experience at festivals and competitions in Japan, Austria, Switzerland, and the British Isles. He is a regular member of the TAD Wind Symphony, a wind band based in Tokyo, Japan and led by Takayoshi “TAD” Suzuki. Alex is a member of the Emblems Quintet, based in Ann Arbor, and, most recently, a founding member of Argentum Chamber Works in Las Vegas.
Alex’s primary teachers include Dr. Nancy Ambrose King, Dr. Stephen Caplan, and Susan Ochi-Onishi. In addition, Alex has studied with and participated in masterclasses with Alex Klein, Nathan Hughes, Rebecca Henderson, and Eugene Izotov, among others.
Sonata for oboe and piano by Kishio Hirao
Eddie W. Airheart, Conductor and Clarinetist. Eddie is currently pursuing his Doctor of Musical Arts in Conducting at Texas Christian University, where he received his MM in band conducting in 2016. Upon earning his all-level Instrumental Music Education degree from East Texas State University, he served for three years as the Director of Bands at Mineola (Texas) Middle School, where his Symphonic Band won three consecutive “Best in Class” awards at area Music Festivals. In addition, he instituted the first organized choral program at Mineola High School and also served as Director of Choral Activities. In 199, he became Director of Bands at Forest Park Middle School in Longview (Texas) ISD, where again his ensembles received first division ratings.
In 1995, Mr. Airheart left public school teaching and went into full-time Church Music Ministry, serving churches in Texas, Florida and most recently, Arkansas. His student choirs have performed in major venues across the United States, including the Cathedral of St. John the Divine in New York City, the National Cathedral in Washington, D.C., the Naval Academy Chapel in Annapolis, Maryland, and the United States Air Force Academy Chapel in Colorado Springs, Colorado. He has served as a student choir clinician for both YouthCue and the Choristers Guild. Ensembles under his leadership have collaborated with members of both the Arkansas Symphony Orchestra and the Little Rock Wind Symphony. Prior to beginning his studies at TCU, he was the Creative Director and Founding Conductor of the Arkansas Youth Chorale, a new musical ensemble based in the greater Little Rock area.
Dr. Sheila M. Allen, Artistic Director
Dr. David Yeomans, Co-Director
Cynthia Thayer, Business Administrator
Cornucopia Arts Council, Administrative Sponsor
The Clear Creek Music Festival has been supported by grants from the Oregon Arts Commission, the Leo Adler Foundation, the Oregon Community Fund, the Ford Family Foundation, the Buerkel-Zollner Fund, the Baker County Cultural Coalition, and the Miller Foundation as well as generous donors in both Texas and Oregon.