Gregory Allen, professor of piano, University of Texas at Austin; Grand Prize winner, 1980 Arthur Rubinstein International Piano Master Competition in Tel Aviv; Second Prize, 1978 Queen Elisabeth Competition in Brussels; top honors in the Los Angeles Young Musicians Foundation, Washington International, and Gina Bachauer Competitions. Concert engagements include appearances with the New York, Los Angeles & Israel Philharmonics, the Brussels RTF and Jerusalem Radio Symphonies, and the orchestras of San Francisco, San Diego, Baltimore, Houston, Austin and San Antonio. He has collaborated with conductors including Rafael Kubelik, Zubin Mehta, Pierre Boulez, Sergiu Comissiona, Louis Lane, Garcia Navarro, Leon Fleisher, Lukas Foss, James Sedares, and David Atherton. He has appeared in recital at New York’s 92nd St. Y, Washington’s Kennedy Center, Chicago’s Orchestra Hall, Pasadena’s Ambassador Auditorium, and Brussels’ Palais des Beaux-Arts.
Mr. Allen holds degrees from the Oberlin Conservatory and the Peabody Institute; his principal teachers were John Perry, Jerome Lowenthal and Leon Fleisher. He is a founding member of the Chamber Soloists of Austin, a mixed ensemble which was chosen to appear at the Kennedy Center’s Texas Festival in 1991. The group has also toured South America as Artistic Ambassadors of the U.S. Information Agency.
HOMAGE TO ARTHUR RUBINSTEIN, Volume One: Works by Spanish and Latin-American Composers. MHS, 1987.
THE RUBINSTEIN DEDICATIONS, Volume Two: Paris in the ‘20s. MHS, 1991.
THE RUBINSTEIN DEDICATIONS, Volume Three: A Musical Portrait. MHS, 1991.
JOAQUIN RODRIGO: THE COMPLETE MUSIC FOR PIANO. (With Anton Nel, 2nd piano). Bridge Records, 1992.
David Yeomans, Visiting Professor, TCU School of Music; Professor Emeritus of piano, Texas Woman’s University; faculty artist, Orfeo International Music Festival, Vipiteno, Italy. Dr. Yeomans has a national reputation as a soloist, accompanist, and chamber musician, having performed in recital at New York’s Town Hall and Carnegie Recital Hall, as well as across the US, Canada, Austria, Germany, Switzerland, Great Britain, and South Korea. In addition to numerous performances of the Czech piano literature, he presented a lecture recital on the piano music of Bedrich Smetana for the Texas Music Teachers Association convention in Houston, and a recital on the piano and vocal music of Zdenek Fibich for the European Piano Teachers Association in London. He has also written a chapter on Bartok’s “Romanian Christmas Carols” for Bartok Perspectives, published by Oxford University Press, and has presented papers at Bartok symposia in Virginia and California. Prior to his TWU appointment, he taught at Washington State University, the University of Texas at Austin, and SUNY, Fredonia.
Dr. Yeomans holds degrees from Oberlin Conservatory, the Juilliard School, and the University of Michigan, where he studied with Emil Danenberg, Irwin Freundlich, and Gyorgy Sandor. He has been master teacher certified from the MTNA since 1986 and has adjudicated numerous music competitions, including the finals of the Canadian National Music Competitions, the MTNA South Central Division Competition, and the San Diego Musical Merit Competition. He is a past member of the Van Cliburn Foundation Executive Board.
BARTOK FOR PIANO, Indiana University Press, 1987, 2000.
PIANO MUSIC OF THE CZECH ROMANTICS, Indiana University Press, 2006.
Dr. Sallie Pollack, pianist and collaborative coach, performs nationally and internationally as soloist and collaborator and is Associate Professor of Collaborative Piano and Piano Division Chair at the University of Central Oklahoma. She received a Fulbright Scholarship for study at the Royal Conservatory of Belgium and has performed in Carnegie Hall, toured with the Texas Boys Choir, coached for the Mons Conservatoire Opera Theatre, Bavarian Theatre-Hof, Illinois Opera Theatre, TCU Opera Theatre, University of Nevada Opera Theatre and UCO Opera Theatre. Dr. Pollack has been a pianist for College Music Society regional and national conventions, National Flute Association, North Carolina Summer Institute for Choral Arts, American Choral Directors Association, Music Teachers National Association, BrightMusic, Suzuki WOW Institute, OU Clarinet Symposium and ClarinetFest. She has performed with Phil Smith, Renee Siebert, Charles Castleman, Alexa Still, Talea Ensemble, Lucy Shelton, ClaviVoce, Richard Nunemaker, Jonathon Holden, Tom Shelton, Paul Salumonovich and Amy Porter, among others. Dr. Pollack is a recipient of the UCO Vanderford Initiative Award which honors excellence in Transformative Learning. She holds degrees from Texas Christian University, The Royal Conservatory of Belgium, University of Illinois, and Manhattan School of Music.
Dr. Blaise J. Ferrandino is Professor and Division Chair of Music Theory and Composition at Texas Christian University. Besides his work as a composer and theorist, he is an accomplished classical and jazz double bassist. Dr. Ferrandino holds degrees from Ithaca College, Syracuse University, and the Hartt School of Music. He is sought after as a composer, lecturer, and performer. His compositions include song cycles, orchestral pieces, a wide-ranging assortment of chamber music, an opera, and solo works for various instruments. His most recent published works are Song and a Dance for Double Bass and Piano commissioned by the International Society of Double Bassists as the compulsory piece for their 2011 competition and Crucible, commissioned for the TCU Trombone Summit quartet competition. His musical drama Retrieving the Spirit premiered in April of 2012, and his Symphony for Wind Ensemble is due to premiere in the Spring of 2013. In addition to his teaching at the Clear Creek Music Festival, Dr. Ferrandino will compose a work to be performed by the combined forces of the Festival and Halfway musical community.
Sheila Allen, mezzo-soprano, Professor, Texas Christian University School of Music. Dr. Allen has appeared as recitalist and soloist in operatic, orchestral and chamber music repertoire across the United States and in Germany. A champion of contemporary music, she premiered Pulitzer Prize winning Stephen Albert’s To Wake the Dead in New York’s Alice Tully Hall and recorded it for CRI. In 2004, Dr. Allen presented master classes and a series of recitals featuring songs of American, Czech, and Korean composers in South Korea. Her recent research and performance has centered on the repertoire for mezzo, viola, and piano ranging from composers of the Baroque period to the works of Czech contemporary composer Petr Eben. She has been on the international jury for the Canadian National Music Competitions and the San Diego Musical Merit Competition. She regularly adjudicates for the Metropolitan Opera Regional auditions, NATS, and MTNA. She was a member of the artist faculty of the Schlern International Music Festival in Fie allo Sciliar, Italy for five years before founding the Clear Creek Music Festival.
Dr. Allen holds degrees from Oberlin Conservatory and the Eastman School of Music, and studied in Stuttgart, Germany as a Fulbright Scholar, where she also performed with Helmut Rilling’s Gächinger Kantorei. A pupil of Helen Boatwright, Kammersängerin Lore Fischer, and Helen Hodam, she was a national finalist in both the Metropolitan Opera Auditions and the National Association of Teachers of Singing Artist Awards. Other honors include a summer as a Vocal Fellow at Tanglewood. Prior to joining the TCU faculty, she taught at Washington State University, Pullman, and at the New York State University College, Fredonia. She is author of “German” in Diction for Singers, published by Pst…Inc.
Cherry Duke, mezzo-soprano, is an active soloist in opera, oratorio, musical theater and concerts and has performed principal roles with opera companies and orchestras around the US and abroad. A frequent collaborator with contemporary composers who create works that blend classical techniques with popular styles, Duke created the role of The Captain in the world premiere of the 2012 opera Dog Days and is featured on the original cast album, which was released in October 2016. Also a champion of compositions by female composers, she has performed her Women’s Work recital at Converse College, the University of Texas at El Paso, and the Texoma National Association of Teachers of Singing Conference. This season she makes her company and role debut with El Paso Opera as Tisbe in Rossini’s La Cenerentola.
Recent solo engagements include El Paso Symphony Orchestra, Los Angeles Opera, Fort Worth Opera, Opera Tampa, Choral Society of the Hamptons, Symphoria, Missouri Symphony and the Prototype Festival in New York City. Miss Duke is the recipient of many prizes, including the Grand Prize of the Connecticut Opera Guild Vocal Competition and winner of the Liederkranz Vocal Competition. She holds degrees in vocal performance from Texas Woman’s University and The Hartt School at the University of Hartford and currently serves on the voice faculty and as Director of Opera at the University of Texas at El Paso. She is a member of American Guild of Musical Artists, Actors Equity Association, National Association of Teachers of Singing, and Sigma Alpha Iota Music Fraternity for Women. www.cherryduke.com
Conductor and clarinetist Eddie W. Airheart is currently pursuing his Doctor of Musical Arts in Conducting at Texas Christian University, where he received his MM in band conducting in 2016. Upon earning his all-level Instrumental Music Education degree from East Texas State University, he served for three years as the Director of Bands at Mineola (Texas) Middle School, where his Symphonic Band won three consecutive “Best in Class” awards at area Music Festivals. In addition, he instituted the first organized choral program at Mineola High School and also served as Director of Choral Activities. In 199, he became Director of Bands at Forest Park Middle School in Longview (Texas) ISD, where again his ensembles received first division ratings.
In 1995, Mr. Airheart left public school teaching and went into full-time Church Music Ministry, serving churches in Texas, Florida and most recently, Arkansas. His student choirs have performed in major venues across the United States, including the Cathedral of St. John the Divine in New York City, the National Cathedral in Washington, D.C., the Naval Academy Chapel in Annapolis, Maryland, and the United States Air Force Academy Chapel in Colorado Springs, Colorado. He has served as a student choir clinician for both YouthCue and the Choristers Guild. Ensembles under his leadership have collaborated with members of both the Arkansas Symphony Orchestra and the Little Rock Wind Symphony. Prior to beginning his studies at TCU, he was the Creative Director and Founding Conductor of the Arkansas Youth Chorale, a new musical ensemble based in the greater Little Rock area.
Dr. Alex Hayashi is a freelance oboist currently based in the Las Vegas area. Originally from Honolulu, Hawaii, Alex attended the University of Nevada, Las Vegas and earned his BM in Oboe Performance (2011). He went on to the University of Michigan, where he obtained his MM (2013) and his DMA (2016), both in oboe performance.
An avid teacher, Alex has instructed students ranging from beginner to advanced. Alex’s students have consistently placed into top chairs of the Michigan All-State Orchestra and Michigan Youth Symphony; earned Superior ratings in solo and ensemble festivals; and been accepted into summer programs including the Brevard Music Center High School Program, the University of Michigan MPulse Oboe Institute, and Blue Lake Fine Arts Camp. Additionally, many of his students have been accepted into competitive music programs, including the Eastman School of Music, University of Michigan, University of Texas – Austin, and University of Southern California. He has served as Assistant Instructor at the UM MPulse Oboe Institute and Clinician at Hawaii Youth Symphony Pacific Music Institute, working with middle and high school students.
As a performer, Alex is well-versed in large ensembles, chamber music, and solo venues on both oboe and English horn. He has performed with US orchestras including the Detroit Symphony Orchestra, the Las Vegas Philharmonic, and the Ann Arbor Symphony Orchestra. Alex also has international performance experience at festivals and competitions in Japan, Austria, Switzerland, and the British Isles. He is a regular member of the TAD Wind Symphony, a wind band based in Tokyo, Japan and led by Takayoshi “TAD” Suzuki. Alex is a member of the Emblems Quintet, based in Ann Arbor, and, most recently, a founding member of Argentum Chamber Works in Las Vegas.
Alex’s primary teachers include Dr. Nancy Ambrose King, Dr. Stephen Caplan, and Susan Ochi-Onishi. In addition, Alex has studied with and participated in masterclasses with Alex Klein, Nathan Hughes, Rebecca Henderson, and Eugene Izotov, among others.
Sonata for oboe and piano by Kishio Hirao
Dr. Sheila M. Allen, Artistic Director
Cynthia Thayer, Business Administrator
Amy Melnychuk, website
Cornucopia Arts Council, Administrative Sponsor
The Clear Creek Music Festival has been supported by grants from the Oregon Arts Commission, the Leo Adler Foundation, the Oregon Community Fund, the Buerkel-Zollner Fund, the Baker County Cultural Coalition, and the Miller Foundation as well as generous donors in both Texas and Oregon.